DORMAN FIELD, WA

As part of the "Lunchbox Lecture" series, Navy Captain Rick Jacobs gives a lecture outlining one of the most decisive naval battles in the Pacific Theater during World War II, in which the Allies suffered a defeat at the hands of the Imperial Japanese Navy.

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17+ NOT SUITABLE FOR CHILDREN!
LONEWOLF is an intense game with moral conflicts.
1 Minute: Your mental-noise has calmed down. It's just you and your weapon.
2 Minutes: You feel the wind, you know the distance, you sense your target's movements
3 Minutes : You hear the echo of your gunfire... You made the first kill. Silence.

Can you handle it? The story unfolds..

Get immersed in a deep Neo-Noir story driven sniper adventure game.
You step into the role of a mysterious assassin. His motives - a secret.
You did what had to be done to enter the 'Assembly', a criminal organization.

Who is this man? What happened? Soon you'll realize that there's more to him than meets the eye.
The mesmerizing atmosphere and thrilling story will glue you to your device.

While you work for the 'Assembly' you'll get your hands on various weapons.
Sniper Rifles, Assault rifles, Pistols, Bombs and even your bare hands.
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The Ops Center returns, picking up after our Iwo Jima special presentation to complete a series on the Pacific War. In this episode, we take a look at wargaming Pacific naval battles that were fought between surface ships, i.e., destroyers, cruisers and battleships.

Yes, operational naval warfare in the Pacific was dominated by the aircraft carrier, but when the sun went down and aircraft couldn't really strike small tactical targets ... it was time to sound general quarters, present broadside, and open fire the old fashioned way.

We take a look at what kind of warships we're covering, review some of the more interesting surface actions in the Pacific War, review the tactical conditions that allowed surface gunnery duels to take place (and how to ensure these are present on your wargaming table), and review a few wargaming systems that are available today for players to try these battles on your own.

Hope you enjoy!

U.S. Naval Cryptologic Veterans Association

The Cryptologic Technician Rating
Today’s Cryptologic Technician can trace his roots back to those enterprising Radiomen who taught themselves the Japanese Katakana code in the early to mid 1920s and established the first intercept station at Shanghai, China.

What is a “Rating”?
A Navy rating is defined as an occupation that consists of specific skills and abilities. Each rating has its own specialty badge which is worn on the left sleeve by all qualified men and women in that field. In the Navy and Coast Guard, pay grades E-4 through E-9 fall within a rating and reflect a distinct level of achievement within the promotion pyramid. There are:

General ratings
Service ratings
Emergency ratings

During the summer of 1927, five Marines attended Katakana training in Shanghai. In September 1927, they were transferred to Peiping where, under the leadership of Chief Radioman (CRM) Dorman A. Chauncey, they established the second radio intercept station.

The Birth of Cryptologic Direct Support
The Marine detachment in Peiping performed the first known temporary deployment of Communications Intelligence personnel. Two Marine operators, along with Chief Chauncey, deployed aboard USS TRENTON (CL-11)1, and two additional Marine operators were deployed aboard USS MEMPHIS (CL-13) for the entire month of September 1928. Presumably this mission was to copy traffic from Japanese fleet exercises.

Early Formal Organization & Training
The success of these early intercept operations led to the establishment of a permanent school on the roof of the Main Navy building on Constitution Avenue in Washington D.C. where especially qualified Radiomen were trained to intercept and analyze foreign radio communications. During the 12 year life of this school at least 176 (150 Navy and 26 Marine), enlisted radio operators received their training. The group became know as the On the Roof Gang (OTRG). Many of these graduates formed the nucleus of the communications intelligence operations in the Pacific at the beginning of World War II.

The early ratings involved in communications intelligence were what we now identify as “General Service” ratings. Prior to World War II, the majority of these ratings were Radioman and Yeoman. The need for qualified communications intelligence personnel greatly expanded during World War II and by 1943 the following ratings were part of the complement of the activities under the cognizance of OP-20-G:

Yeoman
Radioman
Specialist I (Punched Card Accounting Machine Operator)
Specialist P (Photographic Specialist)
Photographers Mate
Machinist Mate
Electricians Mate
Telegrapher (for teletype)

Not All CTCs Are Cryptologists
On various Museum Ships, there may be references to C-TCs. For example, C-TCs are included in the Casualty List of the USS ARIZONA (BB-63) Memorial. This designation refers to “Chief-Turret Captain (C-TC).” The Turret Captain (TC) rate was terminated when Battleships and Cruisers that had turrets were decommissioned and all the gunship Aircraft Carriers had their turrets removed. The Turret Captain’s duties were to maintain, instruct, and take charge of the gun turret assigned. They were assigned to Aircraft Carriers, Battleships and Cruisers. Each turret was assigned a Chief-Turret Captain, First Class-Turret Captain, or both.

WW1 Pilot, Major Norman Brearley returned to Western Australia with a vision to start up an airline delivering services to remote Australia. Historian Brian Hernan tells us how this happened. This was part of the Langley Park fly-in conducted as part of Perth Heritage week.

Melissa Renn (Harvard Business School)
Life magazine not only sent photographers to capture World War II on film, but also commissioned artists to record in paint all aspects of the war. Modeled in part on 19th-century magazines and illustrated newspapers that hired artists to paint and draw life on both the battlefields and home fronts, as well as on 20th-century British precedents, Life’s war art program was its largest patronage project. Life viewed these wartime paintings as essential supplements to its black-and-white photographic reporting. Drawn from new archival research, my talk explores the motivations behind Life’s wartime commissions, and focuses on Life’s coverage of the war in Britain, from the Blitz to V-E Day.
This paper was presented at the conference, "In the Same Boat”: British and American Visual Culture During the Second World War, in the History of Art department at Yale University, May 8-9, 2015.

John Brown University history student Autum Roberts ('20) draws on an article by Paul T. Semones ('99) to relate stories of JBU alumni who served and lost their lives in the Pacific Theater during the Second World War.

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Major General Michael Walsh (U.S. Army Corps of Engineers) was a featured speaker at the 2012 CII Annual Conference in Baltimore.